Direct naar content

Maggie Rogers: going viral is a trap

Ten years ago, Maggie Rogers was a senior at NYU, scrambling to finish a song for a music production class she was close to failing. The guest critic that week happened to be Pharrell Williams. She played him "Alaska," a track she'd written in about fifteen minutes. It is a bit of folk songwriting crossed with the electronic music she'd fallen for studying abroad. Pharrell told her he'd never heard anything that sounded like it. Someone was filming. The clip went viral, and it launched Maggie into pop stardom. 


Ten years later, she's released three studio albums, earned a Grammy nomination for Best New Artist, and gone back to school to pick up a master's from Harvard Divinity School, where she studied the spirituality of public gatherings. And in the last few months she's been as visible offstage as on — advocating for free speech in DC, performing for 200,000 people at a protest in Minneapolis alongside Joan Baez, and delivering a haunting performance during the final run of The Late Show with Stephen Colbert, which CBS is ending in May.


This week host Charlie Harding got to sit down with Maggie live at Chelsea Studios, in front of a room of current NYU students. It’s the same school, ten years later, now with Charlie in the professor's chair and Maggie as the visiting artist.


SONGS DISCUSSED

  • Maggie Rogers "Alaska"
  • Maggie Rogers "Better"
  • Maggie Rogers "One for My Baby (and One More for the Road)"
  • Maggie Rogers "Different Kind of World"
  • Marvin Gaye "What's Going On"
  • Bob Dylan "The Times They Are a-Changin'"
  • USA for Africa "We Are the World"


More

Newsletter

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Datum:
Duur:

Meer afleveringen van Switched on Pop

  • Paul McCartney went back to Liverpool for something new to say

    Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved guitar chord that sets the album's...
  • How a sci-fi dystopia became a personal utopia (ft. Arc Iris)

    A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Belli, built iTMRW as a concept record...
  • Why bands give us purpose (ft. MUNA)

    A culture that rewards easily consumable individual identities produces plenty of pop stars and almost no bands. A significant exception: MUNA, the trio of Katie Gavin, Josette Maskin, and Naomi McPherson. MUNA treats the band as a...