Direct naar content

Eurovision is back – but not without controversy

The flowers are blooming and the calendar says May. That can only mean one thing: the Eurovision Song Contest is upon us once again. This year, thirty-five countries face off to determine the best song that Europe and adjacent continents have to offer. However, the competition comes with a big asterisk: while Eurovision prides themselves on being “apolitical,” the inclusion of Israel in the competition has led to a massive boycott, and the nations of Ireland, Spain, Iceland, Slovenia, and the Netherlands all withdrawing their participation.

These are very real concerns impacting the general tenor of the competition this year, and are worth deeply considering. Since  Eurovision is music news, and proves fundamental in discovering new sounds in global pop, as reporters, Nate, Charlie, and Reanna run down the top contenders according to bookmakers as of this recording. If you’re not watching this year, you’ll still know what’s going on. 

But if Eurovision isn’t of interest, it’s all good. At the end of the episode, Nate, Charlie, and Reanna also take some time to run down the current state of Switched On Pop bingo.

Get your own bingo card here.

Links: ⁠Newsletter⁠, ⁠YouTube


Songs discussed:

  • Céline Dion – Ne partez pas sans moi
  • ABBA – Waterloo
  • Joost – Europapa
  • JJ – Wasted Love
  • Delta Goodrem – Eclipse
  • Søren Torpegaard Lund – Før Vi Går Hjem
  • Ariana Grande – One Last Time
  • Lady Gaga, Bradley Cooper – Shallow
  • Akylas – Ferto
  • Käärijä – Cha Cha Cha
  • Linda Lampenius, Pete Parkkonen – Liekinheitin
  • Windows95man – No Rules
  • Erika Vikman – ICH KOMME
  • DARA – Bangaranga
  • Alexandra Cǎpitǎnescu – Choke Me
  • Satoshi – Viva, Moldova!
  • PinkPantheress, Zara Larsson – Stateside

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Datum:
Duur:

Meer afleveringen van Switched on Pop

  • Paul McCartney went back to Liverpool for something new to say

    Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved guitar chord that sets the album's...
  • How a sci-fi dystopia became a personal utopia (ft. Arc Iris)

    A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Belli, built iTMRW as a concept record...
  • Why bands give us purpose (ft. MUNA)

    A culture that rewards easily consumable individual identities produces plenty of pop stars and almost no bands. A significant exception: MUNA, the trio of Katie Gavin, Josette Maskin, and Naomi McPherson. MUNA treats the band as a...