Greatest Paintings: The French Revolution - Millet's Angelus
Why was Jean-François Millet’s The Angelus considered highly controversial and politically divisive in pre-industrial 19th-century France? What do we know about his personal background, his ambiguous relationship with his subjects, and the scene of the famous Barbizon School? And, how did artists like Salvador Dalí and Vincent Van Gogh draw inspiration and reinterpret the painting?
In this new The Rest Is History Club series, Tom is joined by art critic and author Laura Cumming to discuss the histories behind famous paintings and put them in their historical contexts.
To hear the full episode, and all the other exclusive new episodes from Laura and Tom's paintings series, coming out every Wednesday for the next four weeks, join The Rest is History Club at therestishistory.com
_______
Twitter:
@TheRestHistory
@holland_tom
@dcsandbrook
Video Editors: Jack Meek + Harry Swan
Social Producer: Harry Balden
Producers: Tabby Syrett & Aaliyah Akude
Executive Producer: Dom Johnson
Learn more about your ad choices. Visit podcastchoices.com/adchoices
- Datum:
- Duur:
Meer afleveringen van The Rest Is History
-
648. The Fall of the Incas: Battle for the Sacred City (Part 5)
Three years into the conquest of the Incas, how did the Spaniards respond to the Incan uprising, lead by their puppet emperor Manco? How did the despicable behaviour of Pizarro and his men spark the rebellion? And, how would the... -
647. The Fall of the Incas: The King in the North (Part 4)
How did the Spanish conquistadors under Francisco Pizarro take advantage of the Incan civil War? Were they able to discover the glorious city of Cusco, with all of its riches? And, what terrible brutalities did they commit along the... -
Greatest Paintings: The French Revolution - Millet's Angelus
Why was Jean-François Millet’s The Angelus considered highly controversial and politically divisive in pre-industrial 19th-century France? What do we know about his personal background, his ambiguous relationship with his subjects, and...